EXHIBITIONS

2024

• Court Tree Collective, “Bill Brand Artist Talk” about Masstransiscope, August 24, 2024, Brooklyn, New York
• Court Tree Collective, “Friends of Friends.” ·Bill Brand, Shantaye McMorrow, Jasper Stieve, Tone Tank, Chris Moore, Jaime Patino-Calvo, Jeanne Tremel,
Truls Martensson, John Vitale, Nick Battis, Andrew Abbott, Fukuko Harrison, Jade Chan, Tony Starbuck, Rich Cali, Jason Lustig, March 30 - April 2, 2024,
Brooklyn, New York
• Museum of Modern Art, To Save and Project festival, "Orphans at MoMA: Sixteen Tons—Working with 16mm," NY

2023

• Galerie Arnaud Lefebvre, "Show in Progress ACT III” Hessie, Katy Martin, Judth Nelson, Diana Quinby and Olga Theuriet, October 26, 2023 - January 6, 2024 —Thursday December 7th at 6 pm: Projection of film “Hessie Transe perce Survie’ presented by Bill Brand, Performance by Katy Martin — Paris, France.
• Maysles Documentary Center, “An Evening with Bill Brand - Screening and Artist’s Talk” September 22, 2023, NY
• Court Tree Collective, “Summer Freestyle.” ·Barbtropolis, Bill Brand, Derek Haffar, HelloMarine, Jacob Gerard, Jason Lustig, John Vitale, Jung Eun Park, (SALUT) Bradd Young, Saxon Quinn, Theo Bardsley, Toyameg, TRAVROC, and Yool Kim, July 29 – Sept 9, 2023, Brooklyn, NY
• Prismatic Ground Film Festival, Program 6 with Coalfields (1984) Anthology Film Archives, May 7, 2023, 4:30 PM, New York, NY
• Light Field, Program 10, Bill Brand. Acts of Light (1972-74) April 2, 2023, 9 PM, San Francisco, CA.

2022

• Galerie Arnaud Lefebvre, "Rencontre 2 - Talk with Artists 2” Robert Huot, Carole Kinne, Katy Martin, Bill Brand, October 27 - December 3, 2022, Paris, France
• Visual Studies Workshop “In Dialogue with Bill Brand“ October 27th, 2022, Rochester, NY

2021

• Court Tree Collective, “New’.” ·Bill Brand, Jacob Gerard, Jeanne Tremel, Micòl Hernández, Mika Saito,· Yuto, August 14 – October 3, 2021, Brooklyn, New York
• Galerie Arnaud Lefebvre, "Group Show - Gallery Artists” as part of “Paris Photo Days” January 7 - February 27, 2021, Paris, France.

2020

• Light Field, Program 8, Bill Brand (Acts of Light, 1972-74), Luis Macías, March 15, 2020, 9 PM, San Francisco, CA (Cancelled)
• Galerie Arnaud Lefebvre, "COVID-19 Group Show”, June 2-13, 2020, Paris, France

2019

• (S8) Mostra de Cinema Periférico, film screening, Huevos a la Mexican (2018), Susie’s Ghost (2011) Skinside Out (2002), Coalfields (1984), A Caruña, Spain
• Microscope Gallery, “Scrapbook (or, Why Can’t We Live Together)”, group exhibition of films including Still at Work (1975), July 12 – August 19, 2019 and expanded cinema performance of Pong Ping Pong (1971) July 29, 2019, Brooklyn, NY
• Galerie Arnaud Lefebvre, "New Works / Nouveaux Travaus” Gina Birch, Bill Brand, Natalie Curtis, Robert Huot, Carol Kinne, Diana Quinby, Katy Martin, Ned Richardson, Eiji Suzue, Olga Theuriet, Sue Wrbican, Paris, France

2018

• Museum of the City of New York, “Art in the Open: Fifty Years of Public Art in New York", Masstransiscope, Nov. 10, 2017 - Sept, 23, 2018, New York, NY
• S8 Mostra de Cinema Periférico, “The Cinema on Paper,” gallery exhibition of films and scores, Moment (1972) and Zip-Tone-Cat-Tune (1972), Coruña, Spain
• Quad Cinema, “independent Frames: American Experimental Animation in the 1970s and 1980s, curated by Herb Shellengerger, “Exploded View,” Circles of Confusion (1974) and Zip-Tone-Cat-Tune (1972), New York, NY
• PAF Olomouc, “Festival of film animation and Contemporary Art” Always Open / Never Closed (1971), curated by Herb Shellengerger, Olomouc, Czech Republic

2017

• Galerie Arnaud Lefebvre, "Katy Martin, Robert Huot, Bill Brand" Paris, France
• Cineteca Nacional, Mexico City, Mexico
• Grohmann Museum, Milwaukee, WI, “Mechanics of Animation” Jan. 19 - Apr. 29, 2017

2016

• College of Fine Arts, Shanghai University, "The Modeling of the Medium" curated by Ding Beili, Shanghai, China
• Galerie Arnaud Lefebvre, "Body, Lens, Brush” Bill Brand y Katy Martin, Paris, France
• Light Cone, Scratch Projection series, "Bill Brand y Katy Martin," Paris, France
• CRATER-Lab, Barcelona, Spain
• Union Docs, "Peephole Cinema - Kinetoscopic Records," Brooklyn, NY
• Union Docs, "Refracting Lumière: Avant Garde Revisions of the Lumière Brothers," Brooklyn, NY

2015

• Plastik Festival of Artists’ Moving Image 2015, Walk on the Wild Side - a Film of Films, Curated by Filipa Ramos, IFI Dublin, Ireland

2014

• Mono No Aware, The Center for Performance Research, "Split Decisions," Brooklyn, NY
• BIRD Show, curated by Ann Steuernagel , web blog

2013

• Alliance Française of Buenos Aires, La Pantalla Pintada, Edition III as part of Rojas Fest, Argentina
• Alternative Measures: an investigation of artist-run film labs, TIE, The International Experimental Cinema Exposition, Colorado Springs, CO
• Uniondocs, Dead Youth and Susie's Ghost , Brooklyn, NY
• CAT Film Festival: Celluloid Stars Series, Co-Presented by Chicago Filmmakers and South Side Projections, Chicago, IL
• Hampshire College, Faculty Art Show, Amherst, MA

2012

• Centro de Documentactión y Estudios Avanzados de Arte Conteporáneo, Murcia, Spain
• Unpainted Emporium Productions, LLC, "Time-Shifting" - An Experimental Multimedia and Live Performance Event," Art House Productions, Jersey City, NJ
• UnionDocs, "A Color Box Opens," Heliopolis, Brooklyn, NY
• Black Maria Film Festival (opens in new window)
• dm contemporary, "♥+Art: Artist Couples Collaborating and Exhibiting Together," New York, NY

2011

• National Gallery of Art, "A Co-op Omnibus" in series "Film-makers’ Coop at Fifty," Washington D.C
• BAMCinématek, "All City Shorts: Ny Stories" in "BAMcinemaFest," Brooklyn, NY
• Echo Park Film Center, "Perceptive Frame: Films by Bill Brand," Los Angeles, CA
• LA Filmforum, "Interior Landscapes: Films by Bill Brand," Egyptian Theater, Hollywood, CA
• UCLA Film & Television Archive. “Celebrating Orphan Films,” Billy Wilder Theatre, Hammer Art Museum, Los Angeles, CA (opens in a new window)
• MassArt Film Society, "Bill Brand," Massachusetts College of Art, Boston, MA
• Hampshire College "Faculty Art Exhibition curated by Bill Brayton", Hampshire College Art Gallery. Amherst, MA (opens in a new window)

2010

• Union Docs, "The Film-Makers’ Coop: After the Fact," curated by Colin Beckett and Jim Supanick, NY

2009

• The Arts Exchange, White Plains, NY, "It All Started Here! New York's 103 year relationship with the Animation Industry," curated by Howard Beckerman and J. J. Sedelmaier
• Anthology Film Archives, NY
• Vision Festival, NY

2008

• Rotterdam International Film Festival
• Whitney Museum of American Art, NY, "Between The Still And Moving Image"

2007

• Cinema Project, Portland, OR
• NewYorkRioToyko "e.V. and Ex’N’Pop," Berlin, Germany
• Essential Documentaries: Classic New Directors/New Films, Lincoln Center, NY
• Milwaukee Underground Film Festival
• Espace Gantner, Belfort, France, “Paul Sharits, Figment”
• Orchard, "Projection/Performance: Living Cinema Workshop" with Ruthie Marantz and Anya Maddow-Zimet in exhibition "On the Collective for Living Cinema," New York

2006

• Tribeca Film Festival, "In Black and White and Living Color," New York
• The Tank, solo exhibition of film and video work, New York
• Queens Arts Festival, "Through Our Own Eyes," Belfast, Northern Ireland
• Queens University, lecture and screening, Belfast, Northern Ireland,
• Dashanzi Arts Festival, "Art as a Form of Conversation," 798 Galleries, Beijing, China
• Anthology Film Archives, "Results You Can't Refuse: Celebrating 30 Years of BB Optics," a 4-week retrospective, New York
• Shanghai Duolun Museum of Modern Art, "12+ Retrospective," Shanghai, China

2005

• Barbican Art Gallery, "Colour After Klein: Films," London
• Tribeca Film Festival

2004

• Art World Magazine (Yishushijie), 12+, Shanghai Doulun Art Museum, China, solo exhibition of films and videos.
• Art in General, "Through our Eyes," exhibition and panel discussion, organized by Jo Wood-Brown, NY• "Chicago Filmmakers 30th Anniversary Show," Chicago Filmmakers, Chicago
• "Chicago Filmmakers 30th Anniversary Show," Anthology Film Archive, NY
• "Save Our Films benefit for Anthology Film Archive," live music by Animal Collective
• "Open Zone Friends & Co-Conspirators Program," Ocularis at Galapagos Art and Performance Space, Brooklyn, NY
• Athens Film Festival, Athens, Ohio

2003

• Tribeca Film Festival• Chicago Filmmakers• San Francisco Cinematheque
• California Institute of the Arts
• Ocularis at Galapagos Art and Performance Space, “Scratch, Sniff, Pet: Open Zone Friends & Co-Conspirators Program,” Brooklyn, NY My Father's Leg
• Massachusetts College of Art Film Society, Boston
• “Selected Film and Video 1973-2003” Hampshire College, Amherst, MA

2002

• Museo Nacional Centro de Arte Reina Sofia, “Cine y casi cine,” Madrid, Spain
• Donnell Media Center, New York Public Libarary, "Meet the Maker" series
• Brooklyn Academy of Music, in "The Nearest Far Away Place" as part of the "Next Wave Festival"

2001

• Museum of the Moving Image, Astoria, NY
• Cinema Ritrovato, Bologna, Italy

2000

• Bennington College, VT, (reconstruction of 1971 film installation Pong Ping Pong plus other work)• Cooper Union, NYC
• Dallas Video Festival, TX 1999
• Whitney Museum of American Art, “American Century,” NYC
• Fundació Antoni Tápeis, “Calculated Cinema", Barcelona, Spain
• Marlboro College, VT

1998

• Barbican Centre, Lux Cinema, Underground America, “Ways of Seeing,” London
• Lux Cinema, “Underground America” curated by Mark Webber, London

1997

• Harvard University Carpenter Center for the Visual Arts

1993

• Pleasant Street Cinema, 1 week run, Northampton, MA
• Pacific Film Archive, Berkeley

1992

• Rotterdam International Film Festival, Holland

1991

• Berlin Film Festival, "Forum of New Films," Germany
• Museum of Modern Art, "New Directors/New Films," NY
• New York Historical Society, "Race and Class in N.Y.C.", NYC
• Munich Documentary Festival, Germany
• Pacific Film Archive, Berkeley, CA
• Kennedy Center for the Performing Arts, Washington, D.C.
• AFI LA Film Festival, LA
• American Film and Video Festival, Philadelphia, PA
• Edinburgh Film Festival, Scotland
• Montreal World Film Festival, Canada
• Port Washington Library, NY Upstate Films, Rhinebeck, NY
• George Eastman House, Rochester, NY
• Wexner Art Center, Columbus, OH
• Crandell Library, Glens Falls, NY
• PS122, New York, NY
• Massachusetts College of Art Film Society, Boston, MA

1990

• Independent Feature Project Market, NY
• Rutgers University, Visiting Artist, NJ

1989

• Collective for Living Cinema, NY
• Pyramid Art Center, Rochester, NY
• Media Mix, Rutgers University, NJ
• Whitney Museum of American Art, "Image World", NYC

1988

• American Museum of the Moving Image, "Independent America: New Film, 1978 1988", Astoria, NY

1987

• Crandall Library, Glens Falls, NY
• Collective for Living Cinema, NYC

1986

• Filmforum, Los Angeles
• Munson Williams Proctor Institute, "Frames of Mind," Utica, NY
• Three River Arts Festival, Pittsburgh, PA
• Pacific Film Archive, Berkeley, CA
• Montclair State College, NJ
• Long Island University, NY

1985

• New York Public Library "Bill Brand presents Coalfields" in "Meet the Makers: Experiments in Documentary Film," Donnell Library, NYC
• Gallery 400, "Sites and Solutions," University of Illinois at Chicago.
• Bromfield Gallery, Boston
• University of Kentucky, Lexington
• West Virginia Institute of Technology, Montgomery• Visual Studies Workshop, Rochester, NY
• Kent State University, Filmworks, Kent, Ohio
• P.S.1, NYC• Black Maria Film Festival, NJ
• Ann Arbor Film Festival, Michigan
• Bromfield Gallery, "Independent Film Series," Boston, MA.

1984

• Collective for Living Cinema, NYC
• University of Hartford, CT
• Freedman Gallery, "Sites and Solutions," Albright College, Reading, PA
• Edinburgh Festival, Scotland
• Collective for Living Cinema, "Super 8 Films Against U.S. Intervention in Central America", NYC:  Organizer.

1983

• The Boston Film/Video Foundation, MA• University of Rhode Island, Kingston, RI
• Berks Filmmakers', Reading, PA
• The Cinematheque, San Francisco, CA
 Pacific Film Archives, Berkeley, CA
• Pasadena Filmforum, Pasadena, CA
• Otis Art Institute, Los Angeles, CA
• Collective for Living Cinema, "Art in Nicaragua", NYC
• The Kitchen, "Filmworks '83", NYC
• Sarah Lawrence College Gallery, Bronxville, NY
• The Exploratorium, "Light Currents" by Eye Music, S.F., CA
• Bleeker Street Cinema, "Film Pulse", NYC
• The Cinematheque, San Francisco, CA
• University of California, Los Angeles, CA

1982

• PS1 (Institute for Art and Urban Resources), Long Island City, NY

1981

• Collective for Living Cinema, Idiolects Benefit, NYC• Media Study/ Buffalo, NY

1980

• State University of New York at Plattsburgh, NY
• International Center of Photography, NYC
• Artists Space, NYC
• Pittsburgh Filmmakers, Pittsburgh, PA
• Institute of Contemporary Art, "Urban Encounter," University of Pennsylvania, Philadelphia, PA

1979

• London Film makers' Co operative, London, England
• Colgate College, Hamilton, NY
• Media Study/ Buffalo, NY
• California Institute of the Arts, Los Angeles, CA
• Oasis Films at Los Angeles Institute of Contemporary Arts, CA
• The Cinematheque, San Francisco, CA
• Millennium Personal Cinema, NYC
• Chicago Filmmakers, Chicago, IL
• Hayward Gallery, "Film as Film, Formal Experiment in Film, 191O-1975", London, England
• Third International Avant garde Film Festival, "Film London", London, England
• The Kitchen, "Filmworks '79", NYC
• Canyon Cinematheque, San Francisco, CA
• Pittsburgh Filmmakers, Pittsburgh, PA

1978

• Museum of Modern Art, NYC
• Collective for Living Cinema, NYC

1977

• Colgate College, Hamilton, NY
• Millennium Personal Cinema, NYC
• Berks Filmmakers', Reading, PA
• Canyon Cinema, San Francisco, CA
• Pacific Film Archives, Berkeley, CA
• Filmgroup at N.A.M.E. Gallery, Chicago, IL
• Anthology Film Archives, NYC
• Artists Space, NYC
• Municipal Building Arcade, "Arcade", outdoor sound and film show, curated by Charlie Ahearn, NYC
• Chicago Filmmakers, Chicago, IL
• Theater Vanguard, Los Angeles, CA

1976

• Antioch College, Yellow Springs, Ohio
• Invitational:  "MOVED", John Weber Gallery, NYC

1975

• Wimbleton College of Art, Wimbleton, England
• Derby College of Art and Technology, Derby, England
• Reading University, Reading, England
• Maidstone College of Art, Maidstone, England
• London Film makers' Co operative, London, England
• Slade School of Art, London, England
• Collectif Jeune Cinema, Paris, France
• Arsonal Cinema, Berlin, Germany
• Kommunales Kino, Frankfurt, West Germany
• Oesterreichisches Filmmuseum, Vienna, Austria
• Whitney Museum of American Art, NYC
• Bard College, Annandale on Hudson, NY
• Anthology Film Archives, NYC
• Museum of Art, Carnegie Institute, Pittsburgh, PA
• Festival International du Jeune Cinema, Toulon, France

1974

• State University of New York at Buffalo, NY
• Millennium Personal Cinema, NYC
• State University of New York at Binghamton, NY
• Fifth International Experimental Film Competition at Knokke Heist, Belgium
• American Film Festival, "Film as Art", NYC

1973

• Millennium Personal Cinema, NYC
• Festival of Independent Avant garde Film, London, England
• Filmgroup at N.A.M.E. Gallery, Chicago ,IL
• Anthology Film Archives, NYC
• Filmmakers Cinematheque, organized by Jonas Mekas at the Elgin Theater, NYC

1972

• Western College, Ohio

1971

• Antioch College, Yellow Springs, Ohio

LECTURES AND WORKSHOPS

2020

•Providence French Film Festival, The Films of Moustapha Alassane + This Magnificent Cake!, talk and Q&A about restoration of Alassane’s Samba le Grand, February 29, 2020, Brown University, Providence, RI

2019

• (S8) Mostra de Cinema Periférico, Bill Brand master class, Round table discussion on restoration, A Caruña, Spain
• Museum of Modern Art, “Caring for Artists’ Films”, workshop, June 10-14, 2019, New York, NY

2018

• Arquivo Geral, “Film Preservation and the Creative Impulse,” lecture, Rio de Janeiro, Brazil
• Universidade Federal Fluminense. “Film Preservation Workshop,” with Juana Suárez, Niterói, Brazil
• Orphan Film Symposium, Museum of the Moving Image, Astoria, NY

2017

• Cinémathèque française, Orphans 2017 / Oprhelines de Paris, “Tests,essais et expérimentations,” Paris, France
• Faro Aragón, “Clase Magistral de Bill Brand,” talk on Masstransiscope, Mexico City, Mexico
• Cineteca Nacional and Filmoteca UNAM, “Taller: La preservación como acto creativo con Bill Brand,” hosted by LEC Laboratorio Experimental de Cine, Mexico City, Mexico
• Museo Tamayo, “Conversación con Bill Brand,” Clausura Tacita Dean y residencia LEC Laboratorio Experimental de Cine, Mexico City, Mexico
• Centro de Pesquisa e Formação, SESC, “A Preservação Audiovisual Como Ato Criativo” lecture, São Paulo, Brazil

2016

• CRATER-Lab,Barcelona, Spain
• Mono No Aware, Titling Workshop, Brooklyn, NY

2015

• Orphan Film Syposium 10, Culpeper, Virgina
• Mono No Aware, JK Optical Printing Workshop, Brooklyn, NY

2014

New York Film Festival, The Art of Preservation in Transition (panel discussion) , Film Center Amphitheater, New York, NY

2012

• The Museum of Modern Art, "An Evening with Saul Levine," New York, NY
• La Fundación de Arte Contemporáneo de Montevideo, Uruguay
• Centro de Documentactión y Estudios Avanzados de Arte Conteporáneo, "Seminario Bill Brand," Murcia, Spain
• Off Limits, "Cine hecho a mano: Charla sobre cine familiar," Madrid, Spain
• Orphan Film Symposium, "Making Films at AT&T/Bell Labs 1967-1980," Museum of the Moving Image, Astoria, NY

2010

• Orphan Film Symposium 2010, NY
• "Critical Mass: The Legacy of Hollis Frampton," University of Chicago

2009

• New York Transit Museum, NY
• Fundacion de Arte Contemporáneo, Montevideo, Uruguay

2008

• Museum of Modern Art, NY, "To Save and Project: The Sixth MoMA International Festival of Film Preservation," introducing Hollis Frampton's magnum opus, "Hapax Legomena I-VII" (1971-72)

2007

• Pacific Film Archive, Avant-Garde Preservation Series, Berkeley, CA
• Northwest Film Study Center, workshop on film and video preservation, Portland, OR

2006

• New York University, Tisch School of the Arts, “Media Mavericks”, guest artist, New York

2004

• Princeton University, "Gloria! The Legacy of Hollis Frampton" conference, moderated panel on “The Algorithmic Aesthetic: Frampton as Digital Pioneer”
• Association of Moving Image Archivists annual conference, Minneapolis,  exhibition and panelist for "Fixing the Moment: Preserving Expanded Cinema." Talk titled “Artist as Archivist: A Preservation Pickle”
• Art in General, "Through our Eyes," exhibition and panel discussion, organized by Jo Wood-Brown, NY

TELEVISION SHOWINGS OF HOME LESS HOME 1991-95

• WNET, New York, "Independent Focus"
• ZDF, Germany
• Denmarks Radio, Denmark
• RTE, Ireland
• SBS, Australia
• CDN, Canada
• NHK, Japan
• Super Channel, England

TELEVISION & RADIO ABOUT MASSTRANSISCOPE

• WNET, Treasures of New York. Art Underground, Special television broadcast aired periodically since 2012
• National Public Radio, Science Friday, Making 'Masstransiscope' (listen now) 
• BBC Radio 5 - Up all Night Dotun Adebayo and Tara Gidomski discuss Masstransiscope with creator Bill Brand.
• WNYC, "Brooklyn Magazine", NYC, April 9, 1982
• Fuji Telecasting Co., "Science and Art", Itsuo Sakane, Tokyo, March 6, 1982
• WPIX, "Action News", Frank Casey, NYC, Sept. 19 & 21, 1980
• NBC, National Network News, "John Chancelor Show," Sept. 18, 1980
• NBC, "Channel 4 News", NYC, Sept. 17, 1980

EDUCATION

• Antioch College, Yellow Springs, Ohio, B.A., 1972 (Art)
• The School of the Art Institute of Chicago, M.F.A., 1974 (Film)

 TEACHING

• Hampshire College, Professor Emeritus of Film and Photography (1991-Present)
• New York University, Cinema Studies, graduate Moving Image Archiving and Preservation, Adjunct Professor (2005-Present)
• School of Visual Arts, New York City, Summer Session (1987)
• San Francisco Art Institute, Summer Session (1986)
• Hunter College, CUNY, New York City, Adjunct Assistant Professor (1985-87)
• Collective for Living Cinema, Optical Printing Workshops (1980-90)
• Sarah Lawrence College, Bronxville, NY, Faculty in Filmmaking (1975-85)
• S.U.N.Y. at Buffalo, Summer Session, Center for Media Study (1976)
• S.U.N.Y. at Binghamton, Instructor, Advanced Filmmaking Workshop (1974)
• The School of the Art Institute of Chicago, Instructor, Summer Session (1973)

FILMOGRAPHY/VIDEOGRAPHY

• HUEVOS A LA MEXICANA [color, sound, HD, 13 minutes] (2018)
• ORCHARD - MARKET [color, silent, HD, 16 minute loop] (2016)
• ORNITHOLOGY 4  [color, silent, HD, 30 second loop] (2015)
• DOWN THE ALLEY  [color, sound, HD, 8 minutes] (2011)• DOWN THE ALLEY  [color, sound, HD, 8 minutes] (2011)
• SUSIE’S GHOST [color, sound, 16mm, 7 minutes] in collaboration with Ruthie Marantz (2011)
• SICÓMORO [color, sound, HD, 5 minutes] text by Carolina Noblega (2011)
• RAMPLA JUNIORS [color, sound, HD, 16 minutes] (2011)
• MISTAKES, OUT TAKES AND GOOD DEEDS [3 projector film and video installation] (2006)
• SWAN'S ISLAND [color, sound, 16mm, 5 minutes] co- directed with Katy Martin (2005)
• SUITE [color, sound DV video, 29 minutes] (1996-2003). Includes:
• MY FATHER’S LEG [color, silent, DV video, 3 minutes]
• INTERIOR OUTPOST [color, sound, DV video, 10 minutes]
• MOXIBUTION [color, sound, DV video, 8 1/2 minutes]
• DOUBLE NEPHRECTOMY [color, sound, DV video, 4 minutes]
• GAZELLE [color, sound, DV video, 3 1/2 minutes]
• SKINSIDE OUT [color, sound, 16mm, 10 minutes] co- directed with Katy Martin (2002)
• I’M A PILOT LIKE YOU [color, sound DV video, 40 minutes] co- directed with Ruth Hardinger (2000)
• DIALYSIS, LIVING WITH CHOICES [color, sound, DV video, 15 minutes] made with students at Hampshire College (1997)
• HOUSING DISCRIMINATION PROJECT [color, sound, video, 8 minutes] made with students at Hampshire College (1996)
• HUMAN RESOURCES UNLIMITED [color, sound, video, 6 minutes] made with students at Hampshire College (1995)
• HOME LESS HOME [color, sound, 75 minutes] (1990)
• COALFIELDS [color, sound, 39 minutes] (1984)
• TRACY'S FAMILY FOLK FESTIVAL [color, sound, 10 minutes] (1983)
• CHUCK'S WILL'S WIDOW [color, silent, 13 minutes] (1982)
• SPLIT DECISION [color, sound, 15 minutes] (1979)
• WORKS IN THE FIELD [color, silent, 40 minutes] (1978)
• T.F.W. MARCH FOR HUMAN RIGHTS [color, sound, 7 minutes] (1977)
• THE TRAIL TO KOSKIMO, HIS FIRST HUNT [color, sound, 35 minutes] (1976)
• CARTOONS [color and b/w, sound and silent, 40 minutes total] (1974-75). Includes:
• AN ANGRY DOG [color, silent, 5 1/2 minutes] (1974)
• IT DAWN DOWN [color, silent, 5 1/2 minutes] (1974)
• THE CENTRAL FINGER [color, silent, 5 1/2 minutes] (1974)
•  BEFORE THE FACT [color, sound, 6 minutes] made with Saul Levine and Students at S.U.N.Y. at Binghamton (1974)
• THE AUTOBIOGRAPHY OF BENJAMIN FRANKLIN [color, silent, 4 minutes] (1975)
• NEW YORK STATE PRIMARIES [color, sound, 5 1/2 minutes] (1975)
• STILL AT WORK [color, sound, 4 minutes] (1975)
• DEMOLITION OF A WALL [b/w, sound, 30 minutes] (1973)
• TOUCH TONE PHONE FILM [b/w, sound, 8 minutes] (1973)
• ACTS OF LIGHT [color, sound, 55 minutes total] (1972-74).  Includes:
• CIRCLES OF CONFUSION [color, sound, 15 minutes] (1974)
• ANGULAR MOMENTUM [color, sound, 20 minutes] (1973)
• RATE OF CHANGE [color, sound, 18 minutes] (1972)
• MOMENT [b/w, sound, 25 minutes] (1972)
• ZIP-TONE-CAT-TUNE [color, silent, 8 minutes] (1972)
• PONG PING PONG [film and sound environment, b/w, sound, 25 minutes] (1971)
• ALWAYS OPEN/NEVER CLOSED [color, silent, 13 minutes] (1971)
• TREE [b/w, sound, 8 minutes] (1970)
• ORGANIC AFGHAN [color, sound, 4 minutes] (1969)

WORKS IN THE COLLECTION OF: 

• Smithsonian American Art Museum, DC
• Archives du Film Experimental D'Avignon, France
• Carnegie Institute, Museum of Art, Pittsbrugh, PA
• Espace Gantner, Belfort, France
• Royal Film Archives of Belgium, Brussels, Belgium
• New York Public Library, NYC
• Educational Film Library Association, NYC
• Rochester Public Library, Rochester, NY
• The Toledo Lucas County Public Library, Toledo, Ohio
• West Virginia Library Commission, Charleston, WV
• University of Puerto Rico, Rio Piedras, PR
• The School of the Art Institute of Chicago Film Center, Chicago, IL
• Antioch College, Yellow Springs, Ohio
• Hampshire College/ Five-College Film Collection, Amherst, MA

AWARDS:

• Anthology Film Archives Film Preservation Honoree (2006)
• Hampshire College, MacArthur Chair (1994-97)
• Blue Ribbon for Home Less Home, American Film and Video Festival (1991)
• Ann Arbor Film Festival (1985)
• Three River Arts Festival, Pittsburgh, PA (1983)
• Certificate of Merit, The Municipal Art Society of New York for Masstransiscope (1981)

ORGANIZATIONS:

• Board of Advisors, Mono No Aware, (2017-present)
• Board of Trustees, Flaherty Film Seminar (2008-15)
• Parabola Arts Foundation, Inc. founding member and artist director (1982-present)
• 30th Black Maria Film and Video Festival, Juror (2011)
• NEA/Open Society Artlink, Visual Arts Panelist (1997)
• Mass. College of Art, Peer Review Panel for Media and Performing Arts Dept (1996)
• New England Film Festival, Jurist (1992)
• Jerome Foundation NYC Film/Video Panelist (1989-91)
• National Endowment for the Arts/ Jerome Foundation Midwest Regional Film/Video Panelist (1988, 1989)
• Collective for Living Cinema,Children's Film programmer (1987-90)
• Collective For Living Cinema, Board of Directors, Treasurer (1985-91)
• New York State Council on the Arts, Film Panelist (1985-88)
• Call Against U.S. Intervention in Central America, film and steering committees (1983)
• Ventana, Artists for Nicaraguan Culture, founding member (1983)
• Chicago Filmmakers, Chicago, IL, founder (Filmgroup at N.A.M.E. Gallery) (1973)

GRANTS:

• New York University Adjunct Faculty Development Grants (2012-2021)
• Hampshire College Faculty Development Grants (1992-2011)
• Josef and Anni Albers Foundation for restoration of Masstransiscope (2005)
• Massachusetts Cultural Council, Film Production (1995)
• National Endowment for the Arts, film production (1990)
• New York Foundation for the Arts, fellowship in film (1990)
• New York State Council on the Arts, Production Assistance Grant (1989)
• New York Council for the Humanities (1989)
• Art Matters Inc. (1989)
• North Star Fund (1989)
• New York State Council on the Arts, Production Assistance Grant (1987)
• New York Foundation for the Arts, fellowship in film (1985)
• Jerome Foundation (1984)
• American Film Institute, Independent Filmmaker Program (1982)
• National Endowment for the Arts, Art in Public Places/ Planning Grant for Artists (1978-79)
• New York State Council on the Arts, Production Assistance Grant (1978-79)
• Creative Artists Public Services (CAPS), film section (1978-79)