Bibliography

2021
• Dell'Aria, Annie, The Moving Image as Public Art: Sidewalk Spectators and Modes of Enchantment, Palgrove Macmilklan, 2021,

2020
• Walley, Jonathan, Cinema Expanded: Avant-Garde Film in the Age of Intermedia, New York, Oxford University Press, 2020
• Sarmiento-Hinojosa, José, Panarama: Bill Brand - August Garden (2019), Desist Film. posted on 1/18/2020, https://desistfilm.com/panorama-bill-brand-august-garden-2019

2019
• Pagán, Alberto, "Beyond the Photograph" A Cuerta Pareta, posted on 07/22/2019, http://www.acuartaparede.com/es/alen-do-fotograma-i/ (Spanish and Galician), http://albertepagan.eu/a-toupeira/bill-brand-interviewed/ (English)
• Sarmiento-Hinojosa, José, “(S8) Mostra de Cinema Periférico: An Interview with Bill Brand” Desist Film. posted on 06/24/2019, http://desistfilm.com/s8-mostra-de-cinema-periferico-an-interview-with-bill-brand/

2018
• Powers, John, "A DIY come-One: A History of Optical Printing in Avant-Garde Cinema." Cinema Journal, Volume 57, number 4, Summer 2018 pp. 71-95

2015

• Bloodworth, Sandra, and William Ayres. New York’s Underground Art Museum: MTA Arts & Design. New York, The Metropolitan Transit Authority and The Monacelli Press, 2014: 110-111.
• "Bill Brand on his recent output since 2009." Canyon Cinema Tumblr. January 22, 2015.
• "Bill Brand on the hand drawn mattes he created for some of his films." Canyon Cinema Tumblr. January 22, 2015.
• Dika, Vera, "Notes From Inside the Black Box," in Art in America, March 2015: 124-149.
• Dell'Aria, Annie, "The Enchanting Subway Ride: Bill Brand's Masstransiscope," in Performing Art Dialogue, Volume 5, Number 2, 2015: 141-161.
• Elwes, Catherine. Installation and the Moving Image. London & New York, Wallflower Press: Columbia University Press, 2015: 81-83
• Totaro, Donato. “Paul Sharits: Expanding Cinema to the Beyond.” in Offscreen; Oct 2015, Vol. 19 Issue 10, 2015: , p1-1, 1p
• MacDonald, Scott M. Binghamton Babylon: Voices From the Cinema Department 1967-1977. New York, State University of New York, 2015.
• Ramey, Kathryn. Experimental Filmmaking: Break the Machine. London: Focal Press, 2016.
• "Spotlight on Bill Brand." Canyon Cinema Confessions. 2, no. 1: February 2015.
• Windhausen, Frederico. “Spectrum Analysis: Discussing the Films of Paul Sharits with Bill Brand, Chris Hughes, John Klacsmann, and Andrew Lampert.” In: Moving Image, 15(1): 109-113: United States: Association of Moving Image Archivists, 2015

2014

• Camporesi, Enrico, "Bill Brand: Archive Instinct," in Moving Image Review & Art Journal MIRAJ,vol 3. no. 1: 82-93.

2013

• Griffen, George, "Take the B-Train: reconstructing the proto-cinematic apparatus," in Pervasive Animation (AFI Film Readers), edited by Suzanne Buchan, 275-291. New York: Routledge, 2013.
• Kabak, Benjamin. "Video: Restoring the damaged Masstransiscope." Second Ave. Sagas. August 29, 2013.
• Kabak, Benjamin. "After Sandy, re-restoring the Masstransiscope." Second Ave. Sagas. August 27, 2013.
• Mann, Ted. "Subway Artwork, Plunged into Darkness by Sandy, Is Reborn." The Wall Street Journal. August 23, 2013.
• Time Out contributors, ed. Amy Plitt. "NYC subway: Your essential guide to New York City’s subway." Time Out New York. http://www.timeout.com/newyork/travel/nyc-subway-your-essential-guide-to-new-york-citys-subway (accessed October 18, 2013).
• Theeboom, Sarah. "Top ten: MTA subway art." Time Out New York. March 31, 2013.

2012

• Brand, Bill. "Artist as Archivist in the Digital Transition." The Moving Image: The Journal of the Association of Moving Image Archivists 12, no. 1 (Spring 2012): 92-95.
• Collado, Sánchez Esperanza. Paracinema: La Desmaterialización Del Cine En Las Prácticas Artísticas. Madrid: Trama, 2012.
• Diario El Pais Uruguay. "Rampla Jrs. Recibieron Al Cineasta Del Cortometraje." March 24, 2012. (in Spanish)
• Kabak, Benjamin. "Ghost Subway Stations and a System That Never Was." Second Avenue Sagas (web log), June 4, 2012. http://secondavenuesagas.com/2012/01/04/ghost-subway-stations-and-the-system-that-never-was/.
• Puetz, Michelle Adrianna. "Variable Area: Hearing and Seeing Sound in Structural Cinema, 1966-1978." Diss., University of Chicago, 2012.
• Rao, Mallika. "'The Art Underground'': New York's World Class Subway Art, Identified (VIDEO)." The Huffington Post. 18 Aug. 2012.
• Storm, Jessica. "The Medium is the Medium: The Complexities of the Preservation of Rate of Change and Color Series" (unpublished paper, reworked from diss., UCLA MIAS, 2011), 2012.
• Uhrich, Andy. "Pressed into the Service of Cinema: Issues in Preserving the Software of Hollis Frampton and the Digital Arts Lab." The Moving Image: The Journal of the Association of Moving Image Archivists 12, no. 1 (Spring 2012): 18-43.

2011

• Ingrid. "Joyful Commuting." Aesthetics of Joy (web log), June 20, 2010. http://aestheticsofjoy.com/2010/06/joyful-commuting/.
• Mousseau, Emily, GS'10. "Art in the Subways, Zoetropes, and a Public Art Opportunity for Columbia Students!" CUarts Blog: The Official Blog of the Arts Initiative at Columbia University (web log), June 29, 2010. http://cuarts.wordpress.com/2010/06/29/art-in-the-subways-zoetropes-and-a-public-art-opportunity-for-columbia-students/.
• Village Voice. "Best Restored Subway Art - 2010: Masstransiscope." October 20, 2010. http://www.villagevoice.com/bestof/2010/award/best-restored-subway-art-2167595/.

2010

2009

• American for the Arts. "America's Best Public Art Projects Recognized at National Arts Conference." News release, June 20, 2009. http://www.artsusa.org/news/press/2009/2009_06_16f.asp.
• Braun-Reinitz, Janet, and Jane Weissman. On the Wall: Four Decades of Community Murals in New York City. Jackson, MS: University of Mississippi, 2009.
• Capone, John. "Artist Talk: What's A Masstransiscope?" NBC New York. June 11, 2009. http://www.nbcnewyork.com/news/local/Artist-Talk-Whats-A-Masstransiscope.html.
• Cuza, Bobby. "Restored MTA Art Installation Delights Straphangers." NY1. January 17, 2009. http://www.ny1.com/Content/ny1_living/92428/restored-mta-art-installation-delights-straphangers/.
• Fesenmaier, Steve. "A Lifetime in the Mines: An Essay on Watching Films about Coal Mining + Complete Filmography." July 23, 2009. http://www.niu.edu/~rfeurer/labor/A%20Lifetime%20in%20the%20Mines%20-%20essay%20&%20filmography.100p.7.23.09.pdf.
• Fitzpatrick, Tracy. Art and the Subway: New York Underground. Piscataway, NJ: Rutgers University Press, 2009.
• Fossati, Giovanna. From Grain to Pixel. Amsterdam: Amsterdam University Press, 2009.
• Hartmann, Celia. "Subway “Movie Machine” Restored in Myrtle Avenue Station." Metropolitan Archivist 14, no. 1 (Winter 2009): 7-9. http://www.nycarchivists.org/Resources/Documents/2009_1.pdf.
• Kabak, Benjamin. "A Tale of Restoration and the Masstransiscope." Second Avenue Sagas (web log), January 7, 2009. http://secondavenuesagas.com/2009/01/07/an-old-zoetrope-bright-and-shiny/.
• Kennedy, Randy. "Attention Passengers! To Your Right, This Trip Is About to Become Trippy." The New York Times 1 Jan. 2009: C1. The New York Times. 31 Dec. 2008.
• Oubiña, David. Una Jugueteria Filosofica. Buenos Aires: Ediciones Manantia, 2009.
• Pearlman, Nina. "Masstransiscope." Brooklyn Based (web log), March 31, 2009. http://brooklynbased.net/email/2009/03/masstransiscope/.
• Schlenoff, Daniel C. "50, 100 and 150 Years Ago: Kidney Transplantation; Plant Misinformation; Saving Civilization." Scientific American, September 25, 2009. http://www.scientificamerican.com/sciammag/?contents=2009-10.
• Seiler, Jordan. "Attention Passengers! To Your Right, This Trip Is About to Become Trippy." PublicAdCampaign (web log), January 2, 2009. http://daily.publicadcampaign.com/2009/01/attention-passengers-to-your-right-this.html.
• Tempelsman, Audrey. "Graffiti Artists Losing Ground in New York." Aol Real Estate. December 15, 2009. http://realestate.aol.com/blog/2009/12/15/graffiti-artists-losing-ground-in-new-york/.

2008

• Berger, Thomas. "Know of Any Great Subway Art?" Arthur Frommer’s Budget Travel (Newsweek), December 29, 2008. http://www.budgettravel.com/blog/know-of-any-great-subway-art,10320/.
• Brand, Bill. "The Artist as Archivist." Paul Sharits. Bourogne, France: Espace Multimédia Gantner, 2008. 63-69. Published in conjunction with the exhibition "Paul Sharits, Figments" shown at Espace Multimédia Gantner, October 13, 2007-February 3, 2008.
• Kabak, Benjamin. "Tempering the BMT Brighton Line Enthusiasm." Second Avenue Sagas (web long), September 12, 2008. http://secondavenuesagas.com/2008/09/12/tempering-the-bmt-brighton-line-enthusiasm/.
• MacDonald, Scott. Canyon Cinema: The Life and Times of an Independent Film Distributor. Berkeley: University of California, 2008.
• "Moving Pictures: Attaining Underground Momentum with Bill Brand’s Masstransiscope." Film Society of Lincoln Center (web log), November 7, 2008. http://filmlinc.wordpress.com/2008/11/07/moving-pictures-attaining-underground-momentum-with-bill-brands-masstransitscope/trackback/.
• The National Film Preservation Foundation. "Grants." Report to the U.S. Congress for the Year Ending December 31, 2007 (2008): 4.
• Webmaster in Filmmaking. "Masstransiscope - Subway as Movie Machine." Filmmaker Magazine, November 30, 2008. http://filmmakermagazine.com/3800-masstransiscope-subway-as-movie-machine/.
• Wells, Paul, and Johnny Hardstaff. Re-imagining Animation: Contemporary Moving Image Cultures. Lausanne: AVA Academia, 2008.

2007

• Gartenberg, Jon. "The Fragile Emulsion." Journal of Film Preservation 73 (April 2007): 39-51. Reprinted from The Moving Image 2, no. 2 (Fall 2002): 142-52.
• Kabak, Benjamin. "Myrtle Ave. Station Lost to Time, Development." Second Avenue Sagas (web log), March 14, 2007. http://secondavenuesagas.com/2007/03/14/myrtle-ave-station-lost-to-time-development/.
• Kabak, Benjamin. "Restoring a Zoetrope in an Old Abandoned Brooklyn Station." Second Avenue Sagas (web log), March 12, 2007. http://secondavenuesagas.com/2007/03/12/restoring-a-zoetrope-in-an-old-abandoned-brooklyn-station/.
• Zimmer, Amy. "Underground Art in Brooklyn: Zoetrope's Artist Wants to Restore Work in Subway Tunnel." Metro (New York, NY), March 9-11, 2007, Weekend ed.

2006

• Artdaily.com. "Through Our Eyes: Belfast/New York." Accessed October 9, 2006.
• Brand, Bill. "Bill Brand." Anthology Archives, New York, 2006. From catalog published in conjunction with Anthology Film Archives 2006 Film Preservation Honors Ceremony.
• Choi, Jinhee. "Apperception on Display: Structural Films and Philosophy." The Journal of Aesthetics and Art Criticism 64, no. 1 (Winter 2006): 165-72.
• Dunne, Aidan. "A Visual Feast to Whet All Appetites." Irish Times (Dublin), October 31, 2006
• Frye, Brian L. "Three Great Filmmakers: Haldeman, Ehrlichman & Chapin ... Or, Nixon's Home Movies." Cineaste 31, no. 3 (June 2006): 59-63.
• Halter, Ed. "Vision Quest: Get Your Avant-garde Fix with Plenty of Experimental Cinema This Season." Village Voice (New York, NY), March 6, 2006, Spring Arts sec.
• Jacobs, Karrie. "The Ad at the End of the Tunnel: A Nineteenth-century Toy Inspires a Twenty-first-century Phantasm—one Paid for by a Sponsor." metropolismag.com, June 19, 2006. http://www.metropolismag.com/story/20060619/the-ad-at-the-end-of-the-tunnel.
• Lampert, Andrew, ed. Results You Can't Refuse: Celebrating 30 Years of BB Optics. New York: Anthology Film Archives, 2006.
• Woo, Courtney. "Experimental Film Retrospective: Western Filmmakers Nudge Shanghai’s Nascent Experimental Film Scene to Life." City Weekend (Shanghai, China), January 19, 2006, E24.
• Zryd, Michael. "The Academy and the Avant-Garde: A Relationship of Dependence and Resistance." Cinema Journal 45, no. 2 (Winter 2006): 17-42.

2005

• Fernando, Juan. "¡Pero Si Estaba Acqí Hace Un Minuto!" El Diario (New York, NY), May 1, 2005.
• Schnepp, Suzanne R. "On Time: Approaches to the Conservation of Film, Videotape, and Digital Media." Museum Studies 31, no. 2 Conservation at the Art Institute of Chicago (2005): 96.
• Skoller, Jeffrey. Shadows, Specters, Shards: Making History in Avant-Garde Film. Minneapolis, MN: University of Minnesota, 2005. Print.

2004

• Brand, Bill. Interview by Haijian Zhu. Art World Magazine, December 2004, 48-51. (in Chinese)
• National Film Preservation Foundation. The Film Preservation Guide: The Basics for Archives, Libraries, and Museums. San Francisco, CA: National Film Preservation Foundation, 2004.

2003

• Boyle, Wickham. "Adding a Few to the Celebrity Deluge." Downtown Express (New York), May 6-12, 2003, Tribeca Film Festival 2003 sec.
• Camper, Fred. "Senses Working Overtime: Remembering Stan Brakhage." Chicago Reader, April 18, 2003, sec. 1.
• Camper, Fred. "Skinside Out: Film and Video by Bill Brand." Chicago Reader Guide to Movies. Accessed April 17, 2003. http://www.chicagoreader.com/chicago/skinside-out-film-and-video-by-bill-brand/Film?oid=1052973.
• Chin, Daryl, and Larry Qualls. "Try to Remember: A Cinematic Year in Review 2002." PAJ: A Journal of Performance and Art 25, no. 2 (2003): 48-64. doi:10.1162/152028103321781547.
• Drake, George. "Associate Editor's Introduction." review of Literature and Lives: A Response-Based, Cultural Studies Approach to Teaching English. By Allen Carey-Webb. Pedagogy 3, no. 2 (Spring 2003): 293-94.
• Frye, Brian, and Bill Brand. "The Accidental Preservationist: An Interview with Bill Brand." Film History 15, no. 2, Small-Gauge and Amateur Film (2003): 214-19.
• Gartenberg, Jon, Ken Jacobs, and Bill Brand. "Ken Jacobs, Bitemporal Vision : The Sea." In Permanence Through Change: The Variable Media Approach, 86-91. New York: Solomon R. Guggenheim Museum, 2003.
• Glassman, Carl. "A Film from Center Ring of a Media Circus." Tribeca Trib (New York), June 2003.
• Layton, Lyndsey. "A Tunnel With a View - and a Profit, Metro Looks at New Technology for Ads to Boost Revenue." Washington Post, August 31, 2003.
• Mollotov, Sabina. "Ruth Hardinger, Partner, Douglass Elliman: Real Estate Broker by Day, Renaissance Woman by Night." Real Estate Weekly, June 4, 2003.
• Pogrebin, Robin. "Fledgling Festival Seeks an Identity." The New York Times, May 2, 2003. http://www.nytimes.com/2003/05/02/movies/fledgling-festival-seeks-an-identity.html?pagewanted=all&src=pm.
• Reiter, Elfi. "Cinema 2, Il Cinema Ritrovato, Bologna, Italy, July 2002." Review of Film Screening Cinema2: Old Images, New Films in the Festival Il Cinema Ritovato, Cineteca Del Comune Di Bologna. The Moving Image 3, No. 1., Spring 2003: 158-161.

2002

• Cine y Casi Cine. Museo Nacional Cetro de Arte Reina Sofia: Madrid, Spain, 2002. Published in conjuction with the exhibition "Cine y Casi Cine" shown at Salól de Actos. Museo Nacional Centro de Arte Reina Sofia in Madrid, Spain, October 24-December 15, 2002.
• Cook, David A. Lost Illusions: American Cinema in the Shadow of Watergate and Vietnam, 1970-1979. Berkeley: University of California, 2002.
• Doane, Mary Ann. The Emergence of Cinematic Time: Modernity, Contingency, the Archive. Cambridge, MA: Harvard University Press, 2002.
• Gartenberg, Jon. "The Fragile Emulsion." The Moving Image 2, no. 2 (Fall 2002): 142-52. Reprinted in Journal of Film Preservation 73 (April 2007): 39-51.
• González, Mariela. "Películas Documentales Y Fe Ficción En El Reina Sofia: Hoy Se Proyecta 'I'm a Pilot like You' Un Filme Sobre La Muerte De John Kennedy Jr." El Pais (Madrid, Spain), November 23, 2002.
• Lowder, Rose, and Alain-Alcide Sudre, eds. L’image en mouvement, 25 ans d’activité pour la défense du cinéma comme art visuel. Avignon, France: Archives Du Film Expérimental D'Avignon, 2002.
• MCSP Newletter, (University of Michigan: Ann Arbor, MI). "Knit Wits." October 25, 2002.
• Sitney, P. Adams. Visionary Film: The American Avant-Garde, 1943-2000. Oxford: Oxford University Press, 2002.

2001

• "Renew Your Vision," Hampshire Reports, Spring/Summer 2001, 4-5.

1998

• MacDonald, Scott. A Critical Cinema 3: Interviews with Independent Filmmakers. Berkeley: University of California, 1998.

1997

• Martin, Brett. "Essential New York." Time Out New York, November 6-13, 1997.

1996

• Carroll, Noël. Theorizing the Moving Image. Cambridge: Cambridge University Press, 1996.
• Gianetto, Joseph, letter to the editor, New York Times, December 1, 1996.
• O'Pray, Michael. The British Avant-garde Film, 1926-1995: An Anthology of Writings. Luton, Bedfordshire, England: University of Luton, 1996.
• Schneider, Daniel B. "F.Y.I." Editorial. The New York Times, November 17, 1996.

1994

• Rabinowitz, Paula. They Must Be Represented: The Politics of Documentary. London: Verso, 1994.

1993

• "1973-1993 Twenty Year of Chicago Filmmakers!" Celebrating 20 Year Chicago Filmmakers, 1993, 8-9.
• Barnouw, Erik. Documentary: A History of the Non-fiction Film. New York: Oxford University Press, 1993.
• Benton, Janet. "Home Less Home." Hampshire College Reports (Amherst, MA), Fall 1993: 6-7,
• Clarke, Jessica. "Bill Brand: 'Life on the Edge' Mirrors Filmmaker's Art." Hampshire People, Union-News (Springfield, MA) July 26, 1993.
• Watson, Bruce. "U.S. Homeless -- in Own Voices" Preview article for screening at Pleasant Street Little Theater, April 16. Daily Hampshire Gazette (Northampton, MA), April 15, 1993.

1992

• Brand, Bill. "Programming Experimental Films for Children." In Children's Film Programming: A Handbook, compiled by Gallery Association of New York State. Fort Atkinson, WI: Highsmith Press, 1992.
• Carey-Webb, Allen. "Representing the Homeless." American Literary History 4, no. 4 (Winter 1992): 697-708.

1991

• Arthur, Paul. Review of Home Less Home. Cineaste 18, No. 3, 1991: 43-44
• Brand, Bill, interviewed by Diana Lobdell. Lightstruck: Journal of the Experimental Film Coalition 7, no. 4. Summer 1991: 11-17
• Braunseis, Hans. "Verlorenes Obdach." Review of Home Less Home. Der Morgen, February 21, 1991. (In German
• Carey-Webb, Allen. "Homelessness and Language Arts: Contexts and Connections." English Journal 80, no. 7 (November 1991): 22-28
• Clark, Jeff. "Home Less Home." Library Journal 116, no. 6, April 1, 1991: 168
• Crowe, Diane. "Homelessness," review of Home Less Home. Video Rating Guide for Libraries 2, No. 3 (1991).
• Frost, C.H. Review of Home Less Home. Choice: Current Reviews for Academic Libraries, June 1991.
• Gilbert, Debreh. "Not Just Another Underground Film." The Independent (New York, NY : Foundation for Independent Video and Film), March 1991.
• Hoberman, J. "Burning Crosses and Lamé Dresses." Review of Home Less Home. Premiere 4, No. 7, March 1991, 34-36.
• Holden, Steven. "Life Without the Gloss In New Directors Series." The New York Times, March 15, 1991.
• Jaedicke, Tom. "Rückblick Auf Das Forum-Programm: Mit Kaurismäki an Den Amazonas." Berliner Morgenpost, February 27, 1991.
• James, Stan. Advertiser (Windham, CT), October 31, 1991.
• Korte, Peter. "Aus aller Welt: Filme von Treut/Mikesch, Sempel, Villaverde und Brand [From Around the World: Films of Treut/Mikesch, Sempel, Villaverde and Brand]." Frankfurter Rundschau, February 20, 1991. (In German)
• Mahrenholz, Simone. "Home Less Home." Der Tagesspiegel (Berlin), February 19, 1991, Feuilleton: 41. Internationale Filmfestspiele Berlin 1991 sec. (in German)
• Maslin, Janet. "Problems of Homeless: The Individual Stories." The New York Times, March 21, 1991.
• Stev. Review of Home Less Home. Variety 342, No. 11, April 1, 1991.
• Washington Post. "Kirk Douglas in Spotlight." March 29, 1991, Weekend; Film Notes sec. Announcement for show at American Film Institute the following Monday.
• White, Armond. "Homelessness: A Movie Metaphor For Our Times." The City Sun (Brooklyn, NY), May 17, 1991.
• Yeaman, Simon. "Down to Earth." Advertiser (Windham, CT), November 5, 1991.

1989

• Forbes, Elizabeth. "Working the Crowd: Filmmaker Bill Brand Is Trying to Make Independent Films More Accessible to the Public." Announcing Screening of 26 films by Bill Brand, Pyramid Arts Center, October 21. Times-Union (Rochester, NY), October 19, 1989
• Gidal, Peter. Materialist Film. London: Routledge, 1989
• Gusafsson, Sonia. "Art for the Mass in Transit." The Record (Hackensack, NJ), May 2, 1989
• "Station Animation." New Yorker, July 24, 1989, 14.

1988

• 7 Days (New York). "Answer Man." October 12, 1988.

1987

• Port Washington News (Port Washington, NY). "Filmmaker Bill Brand to Visit Port Library." October 22, 1987.

1986

• New York Women. "To Do." September/October 1986.
• Frames of Mind: Recent Filmmaking in Central New York. Museum of Art, Munson-Williams-Proctor Institute, Utica, NY, March 7-May 4, 1986. Program.

1985

• The Fayette Tribune (Oak Hill, WV). "Tech to Host Film, Poetry Reading." March 28, 1985.
• Haydon, Harold. "Public Art Takes Novel Approach To Involvement." Chicago Sun Times, January 17, 1985.
• Montgomery Herald (Montgomery, WV). "Film Show Set At Tech About Miner Activists," March 28, 1985.
• "New York Hot Shot." Photo Japon [sic] 3, no. 023 (September 1985): 16. (In Japanese).
• Register/Herald (Beckley, WV). "Coalfields' to Be Shown." March 21, 1985.
• Sites and Solutions: Recent Public Art, Catalog for Exhibition at Freedman Gallery, Albright College Reading, PA, October 12-November 18, 1984 and at Gallery 400, College of Architecture, Art, and Urban Planning, The University of Illinois at Chicago, January 9-February 2, 1985. Reading, PA: Freedman Gallery, Albright College, 1985.
• Thomas, Lillian. Review of art show "Sites and Solutions: Recent Public Art," Gallery 400, University of Illinois. Chicago Reader, January 25, 1985.
• Valley News (Essex, NY). "Filmmaker to Speak in Essex Thursday." September 25, 1985. Review of Coalfields (Bill Brand), for screening at Persell Hall, Sept. 26.

1984

• Creative Time, Inc. Masstransiscope. New York: Creative Time. 1984.
• Contini, Anita. "Alternative Sites and Uncommon Collaborators: The Story of Creative Time." in Insights/Onsights: Prespectives on Art in Public Places ed. Stacy Paleologos Harris. Washington, D.C.: Partners for Livable Places. 1984.
• Hoberman, J. "Chuck's Will's Widow and Coalfields: Two Films by Bill Brand. At the Collective for Living Cinema, June 15." Village Voice (New York, NY), June 19, 1984.
• Sterritt, David. "'Ghostbuster': Fantasy and Zaniness Done Well; GHOSTSBUSTERS. Produced and Directed by Ivan Reitman. Original Screenplay by Dan Aykroyd and Harold Ramis. Columbia Pictures; COALFIELDS, Directed by Bill Brand; STREETS OF FIRE, a Rock and Roll Fable. Directed by Walter Hill. Universal-RKO." Christian Science Monitor (Boston, MA), June 14, 1984, Arts & Leisure; On Film sec.

1983

• Burke, Jesse. "A Trip To Brooklyn." Fanzine for Dozens 3. Self Published Zine. January 26, 1983.
• Hoberman, J. Review of "Filmworks" at The Kitchen. Village Voice (New York, NY), April 19, 1983.
• Sterritt, David. "And Now, an Alternative for the Performer Looking for His Own Niche . . ." Christian Science Monitor (Boston, MA), August 17, 1983, Arts/Entertainment sec.
• Trojan, Judith, ed. EFLA Evaluations. May/June 1983. New York: Educational Film Library Association, 1983: 88.

1982

• Brand, Bill. "Avant-Garde Film and the Ideology of the Counter Culture," Idiolects 12 (Fall 1982): 2-4.
• Rickey, Carrie. "Taking Care of Artists' Business." Village Voice (New York), December 30-January 5, 1982.
• Rosen, Nancy. "Public Art: City Amblings." In Ten Years of Public Art, 1972-1982. New York, NY: Public Art Fund, 1982. Published in conjunction with the exhibition "Ten Years of Public Art, 1972-1982" shown at the Doris C. Freedman Gallery at the Urban Center, 457 Madison Avenue, New York, 20 May-18 June 1982.
• "Tunnel Vision." In More Far-out Facts, 15. Washington, D.C.: National Geographic Society, 1982.

1981

• Gouveia, Georgette. "Artist Makes Times, Movement Illusory." Review Press-Reporter (Bronxville, NY), December 31, 1981.
• Howell, George. "These Underground Films Really Go Underground." Gallery exhibition around Masstransiscope, University at Buffalo, The State University of New York, November 20-December 16. The • Underground. September-December 1981.. Buffalo Evening News, December 4, 1981, Gusto sec.
• Huntington, Richard. "Bill Brand Thinks Subways Are For Seeing." Buffalo Courier Express, November 15, 1981.
• Industry Products Company. "Lamp Division in Unusual Animated Art Project." Mix: Marketing Publication, February 1981, 10.
• Media Study/Buffalo. "Bill Brand's Masstransiscope." Gallery exhibition around Masstransiscope, University at Buffalo, The State University of New York, November 20-December 16. The Underground. September-December 1981.
• New York Times. "Award given to Archdiocese." Culture Desk. June 2, 1981, C sec.
• Phillips, Deborah C. "New Faces in Alternative Spaces." ARTnews, November 1981, 90-100.
• Russell, John. "ART PEOPLE; The Ride-by Subway Mural." New York Times, January 16, 1981.
• Seymore, Kelly. "Filmmaker Opens Art Day with Tour of Subway Murals." Seawanhaka (Long Island University: Brooklyn), May 22, 1981.

1980

• Brooklyn Paper. "Underground Art." August 6-19, 1980.
• Exxon Corporation. "Panorama: Subway Cinema." The Lamp 62, no. 3 (Fall 1980): 26.
• Fowler, Glenn. "Subways Are for Seeing Brooklyn 'Movie'" New York Times, September 17, 1980, Metropolitan Report sec.
• Ginsberg, Merle, ed. This Week. Soho News (New York), September 17, 1980.
• Glueck, Grace. Art People. New York Times, September 26, 1980.
• Gould, Kalman. "Masstransiscope Proves Subway Movie Magic." Washington Square News (New York), October 20, 1980.
• Institute for Architecture and Urban Studies. "Brooklyn Muybridge." Skyline (New York), May 1980.
• Kappstatter, Bob. "Straphangers to Pass an Artful Tunnel Vision." Daily News (New York), September 16, 1980.
• Paul, Susan. "Animated Subway Art Transforms Abandoned Station." Phoenix (Brooklyn, NY), September 4, 1980.
• Press-Republican (Plattsburgh). "Filmmaker to Discuss Work." March 10, 1980.
• Rickey, Carrie. "Closely Watched Train Stations." Village Voice (New York), July 30-August 5, 1980.
• Rickey, Carrie. "Myrtle Avenue." Village Voice (New York), September 17-23, 1980.
• Riedberg, Ott, and Vanessa Davy. "Bill Brand's Subway Art." SLC Tribune (Bronxville, NY), September 29, 1980.
• Robinson, Dale. "'Masstransiscope' - A Subway Bijou: Subway 'Movie' Has Local Link." Tyrone Daily Herald (Tyrone, PA), October 30, 1980.
• Taubin, Amy. "Captive Audience." Soho Weekly News (New York), November 19, 1980.
• The 'Vasari' Diary. ARTnews 79, no. 10 (December 1980): 34-36.
• Visual Studies Workshop. "Subterranean Flicks." Afterimage: The Journal of Media Arts and Cultural Criticism, November 1980, 3.
• Zimmer, William. "Alternative Spaces." Soho News (New York), September 17, 1980, Artbreakers sec.

1979

• Beckman, Geoff. "Brand to Recut SLC Film." SLC Tribune (Bronxville, NY), February 9, 1979.
• Banes, Sally. "You Are What You Eat." The Soho Weekly News (New York), August 16, 1979.
• Bradford, Philip, Geoff Beckman, and Lauren Trownsell. "The Documentary Report." SLC Tribune (Bronxville, NY), February 23, 1979.
• Buchsbaum, Jonathan. "Composing for Film: The Work of Bill Brand." Millennium Film Journal 3 (Winter-Spring 1978-1979): 55-61.
• Christie, Ian. "Film: Independents." review of Split Decision, Works in the Field. Time Out (London), July 13-19, 1979.
• Film as Film: Formal Experiment in Film, 1910-1975. London: Arts Council of Great Britain, 1979. Published in conjunction with the exhibition at Hayward Gallery, South Bank, London SE1, May 3-June 17, 1979.
• Rich, B. Ruby. "What You See Is What You Get." review of Works in the Field, Chicago Filmmakers, March 17, 1979. Chicago Reader, March 16, 1979.

1978

• Carroll, Noel. "The Other Cinema." review of Works in the Field, by Bill Brand (film), Collective for Living Cinema. SoHo Weekly News (New York), December 14-20, 1978.
• New York Times. "A Room with a View -- New York, N.Y." January 12, 1978. Photograph by Bill Brand.

1977

• Chin, Daryl. "Outdoor Parameters." review of performances including Bill Brand's Circular Flow of Economic Life, Manhattan Municipal Building. Soho Weekly News (New York), May 19, 1977.|
• Gross, Linda. "Trilogy Explores Nature of Color." review of Acts of Light, Cartoons, Touch-Tone-Phone-Film. Los Angeles Times, April 23, 1977.
• LeGrice, Malcolm. Abstract Film and Beyond. London: Studio Vista, 1977.

1976

• Brand, Bill, interview by Gunvor Nelson, Canyon Cinemanews 76-4. 1976.

1975

• Wollen, Peter. "The Two Avant-Gardes." Studio International, The Avant-Garde Film in England and Europe (November/December 1975). Reprinted in Edinburgh '76 Magazine 1. 1976: 77-85.

1974

• Christie, Ian. "Time and Motion Studies: Structural Cinema and the Work of Bill Brand" Studio International, June 1974.
• Sayre, Nora. "Screen: 'Chicagofilms'; Experimental Works Vary in Quality The Program." Review of films by Louis Hock, Bonnie Donahue, Royanne Rosenberg, Lawrence Levy, Jeff Kreines, Tom Palazollo, and Bill Brand (Zip-Tone-Cat-Tune and Always Open/Never Closed), Film Forum. New York Times, January 6, 1974.

1973

• Mekas, Jonas. Review of Moment by Bill Brand (film).Village Voice (New York, NY), January 4, 1973.
• Mekas, Jonas. Review ofTouch Tone Phone Film, Moment, Zip-Tone-Cat-Tune, Rate of Change, Angular Momentum, by Bill Brand (films), Millenium, New York. Village Voice (New York, NY), June 7, 1973.
• Mekas, Jonas. Review of Moment, Rate of Change, Touch Tone Phone Film, Angular Momentum by Bill Brand (films). Village Voice (New York, NY), Oct 13, 1973.

1972

• Art Institute of Chicago. MFA - Art Institute - Chicago. Chicago: School of the Art Institute of Chicago, 1972.